Didja catch two fascinating articles in last Sunday’s New York Times? In the Op-Ed pages, Farrar, Straus & Giroux publisher Jonathan Galassi writes about the heroic—and hidden—work behind great literature, and about the myopia of those infatuated with the idea of e-books.

David Carr, in “Why Twitter Will Endure,” confesses his own infatuation with Twitter, and defies conventional notions about that brand of social media. He sees the possibility of narrative in “short-burst communication” and applauds the economy and precision forced by text messages. But he concedes that “the real value of the service is listening to a wired collective voice.”

In Talking Story, Shelly Runyon writes about the Twitter feed of Susan Orlean, and what it tells us about Orlean’s particular brand of short-burst communication. For you doubters who snicker at the Morse-Code-like rhythms of Twitter and insist that Tweet feeds are fluff, Orlean may change your mind. The author of The Orchid Thief proves two things about micro-narrative: first, that it is possible to tell stories in 140 characters; second, that it takes a damn good writer to do it.